17 Apr, 2022 @ 12:00
1 min read

Guernica: Spain’s government refuses to let Picasso’s Civil War masterpiece be displayed in the Basque Country’s Guggenheim Museum

Reabre El Museo Reina Sofia En Madrid
(EDITORIAL NEWS USE ONLY - STRICTLY NO COMMERCIAL OR MERCHANDISING USAGE) People look at Guernica by Pablo Picasso during the partial reopening of the Reina Sofia Museum, after its closure in March due to the Covid-19 pandemic, on June 06, 2020 in Madrid, Spain. A maximum of 30 people (30%) at a time are now allowed to view Picasso's iconic anti-war painting depicting the 1937 bombing of the Basque town of Guernica during the Spanish civil war. (Photo by Oscar Gonzalez/NurPhoto)

A BID to put Picasso’s masterpiece Guernica on display in the Basque country has been rebuffed.

The picture, depicting the 1937 bombing of the Basque town of the same name, has never been shown in the region.

The Basque government proposed that the painting – which is world-renowned as one of the most moving and powerful anti-war paintings in history –  be put on display at the Guggenheim Museum in Bilbao.

guernica picasso
ICONIC: Picasso’s Guernica portrayed the horrors of the civil war

In her disbelief that Picasso’s piece has never set foot in the Basque Country, the senator of the left-wing Bildu party, Idurre Bideguren, had suggested a temporary exhibition.

“It is more than just a great work of art: it is a symbol against fascism that represents the symbiosis between art and denunciation,” Bideguren said.

But the Spanish government has reiterated its stance that the piece will not leave the Reina Sofia museum in Madrid, where it has been since 1992 – not even for temporary exhibitions.

They insist that the work is too large and fragile to be moved.

This is not the first time a request has been made to show the artwork in the Basque country – similar requests in 1997 and 2006 were also turned down.

Picasso painted Guernica in Paris in response to the bombing of the town by fascist forces.

Stark black and white photographs plastered over the front pages of L’Humanité and other French newspapers were the first visual representations he saw of the bloodshed and devastation.  

Those images became his inspiration for one of the world’s most iconic paintings, a universal howl against the atrocities of war.

Picasso’s choice to paint it in monochrome has been cited as a deliberate effort to represent a photographic record of the genocide, despite its avant garde style.

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Elena Gocmen Rueda

Elena Gocmen Rueda studied journalism at the Complutense University in Madrid before returning to her hometown of Marbella. She started working for The Olive Press in April 2021. Get in touch with a story: newsdesk@theolivepress.es

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